Colour Wales
My work is the expression of two distinct opposites of the colour spectrum, each interplay with one another and reflect the complexities of the subject.
I see colour and visual expression as a means of seeing the world with a more rational view. Each painting represents the interplay of colours on each other. The paintings show how the red and orange side of the spectrum comes to dominate the right side of the canvas to give it that exuberant nature, while the blue side of the spectrum gives it a cool, protective refuge on the left side of the canvas. This is how I see the world, as two opposites coming together in perfect harmony with all the contradictions that are involved.
The hot colours represent the antithesis to what is progressive and enlightening. I see the world through colour coding the reds as opposing forces of good i.e. evil. The blue side of the painting represents the good trying to fight off the evil of the hot red colours trying to dominate the whole of the canvas.
I see a conflict of colours in which each side is trying to out-
I see these opposites in my paintings as a dual with colour I use to express how I feel about the different forces of good and bad at work within society. The painting represents the conflict I experience with my perception of life and this takes the form of interpreting what I see in my life and how it affects the way I experience other peoples reactions.
Colour is a very powerful medium -
My main medium is oil painting, I use oils as a means to utilise the figurative with
the abstract. To be able to create the effect of flow, and form, to merge the figurative
with the abstract. My main subject concerns music, energy, colour and depth. I
use colour as a form in order to bring out the maximum effect and flexibility of
oil on stretched canvas, to merge the figurative with the abstract with movement.
I also do drawings in conjunction with my painting. I like to work at various sizes,
so I can maximise the effect of the painting/drawing. I mix my colour, to give depth,
to bring out the subjects with the other colours, to form a basis for merging & re-
Now my work emphasises depth and colour. I utilise colour with which I give the picture
maximum effect. Have painted the objects as I see them in my mind, a distorted reality
that inhabit. The images of the world around me seem distorted and my mind tries
to reason and interpret them. Only when I use depth and juxtaposed coloured images
can I reason with everything around me and make sense of it. Paintings take on myriad
forms and usually with still life create images of glass bottles, bowls and glass
balls as a starting point and expand on the subject by reflecting glass on glass
tables. My work gives me an outlook on specific objects that can be transparent
and can be remoulded into a metaphor for what society could be. It gives me the
power over my immediate surroundings from which I can mould objects according to
my imagination and then re-
Couple Kissing”
Fruit
Still Life